For years, Indian exhibitors have dreaded the idea of screening animation films. These releases often evoke the haunting image of empty theatres and muted ticket windows. The fear multiplies when the animation is homegrown, made in India, historically considered a surefire recipe for commercial disaster. But all of that changed dramatically on July 25, 2025, with the arrival of Mahavatar Narsimha.
Mahavatar Narsimha: The Animated film that has created a cinematic earthquake and a spiritual movement that no one saw coming
What followed wasn’t just a surprise – it was a cinematic earthquake.
On paper, Mahavatar Narsimha had a modest opening, collecting ₹1.46 crore on Friday. But what seemed like an unremarkable start quickly escalated into one of the most jaw-dropping box office journeys Indian cinema has seen in recent times.
The film’s Saturday earnings jumped nearly 146% to ₹3.59 crore, and by Sunday, the figure doubled again, touching ₹7.06 crore. Most films begin to taper off post-weekend. But Mahavatar Narsimha defied that norm entirely. Its weekday performance was nothing short of historic.
In an extremely rare phenomenon, each weekday outperformed the last, and more astonishingly, each day earned more than even the opening Friday and Saturday
Monday: ₹3.89 cr. (+166% from Friday)
Tuesday: ₹5.32 cr.
Wednesday: ₹5.58 cr.
Thursday: ₹5.92 cr.
The film’s momentum didn’t just hold – it surged. By the time it entered its second weekend, the numbers told their own tale:
Friday (Week 2): ₹5.30 cr.
Saturday: ₹11.25 cr.
Sunday: ₹16.27 cr.
From a slow-burn opening to tsunami-level collections, Mahavatar Narsimha had officially arrived – and conquered.
The film achieved what many thought impossible: it shattered the myth that Indian animation, especially that rooted in mythological themes, could not attract mass audiences.
By Day 10, Mahavatar Narsimha had broken into the Top 10 most successful films by the ‘Weekend-to-Lifetime’ multiple formula popularized by Aamir Khan, with a multiple of 5.42
This is an elite club of cinema that thrives on word-of-mouth, deep audience engagement, and box office resilience – qualities now associated with Mahavatar Narsimha.
It has officially earned the distinction of being the highest-grossing Hindi animated film in Indian box office history. But the story doesn’t end at the ticket counter.
Mahavatar Narsimha has stirred something deep within its viewers – a sense of devotion rarely seen in modern cinema halls. Exhibitors across the country are witnessing something remarkable: audiences, particularly devout Hindus, are removing their footwear before entering the auditorium, treating the viewing space as sacred.
This act of reverence – akin to entering a temple – is spreading like wildfire. It’s not limited to a few individuals; it’s turning into a collective ritual. These scenes evoke memories of another era – of Jai Santoshi Maa in the 1970s, when women would place their shoes under the cinema seats as a mark of respect, or of the Ramayan TV serial days when families would bathe before tuning in. Back then, it was common. But for it to happen in 2025, in air-conditioned multiplexes and modern theatres, is nothing short of astonishing.
Mahavatar Narsimha has rewritten the rules – not just for Indian animation, but for how cinema can touch the soul. It’s a film that bridges entertainment with emotion, box office with bhakti. At a time when attention spans are short and distractions plenty, this film has managed to create a communal experience of awe, pride, and spiritual immersion.
From shattering myths to setting records and sparking religious sentiment, Mahavatar Narsimha has proven that when content strikes the right chord, nothing is impossible – even for an Indian animated film.
Theatres are no longer just screening a movie; they’re hosting an experience. And audiences aren’t just watching – they’re worshipping.
More Pages: Mahavatar Narsimha Box Office Collection
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